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Artist: Children Of Ishizuke Tree
Title: Entering The Ocean [2LP]
#ca342
Date: 2009-12-14
Keywords: ambient; noise; drone; avant-garde; shoegaze; dark-core; minimal; experimental
(320 kbps)
"Entering The Ocean" is the first studio album of Ishizuke Children. Long majestic compositions remind the Buddhist temple ceremonies. It's deeper than the deepest ocean. Themes of tracks are ecology, nonviolence, intercorrection of all life in the universe, instant karma, search for the mysterious in everyday.
Children Of Ishizuke Tree - the guitar duo from Minsk, Belarus, consists of Alexander Haletski and Marina Bartosh. Formed in 2009. Style of music – something between noise, drone, shoegaze and academic minimalism. Band practices playing in a few amps and distortions of sound.
Contact:
http://www.last.fm/music/Children+Of+Ishizuke+Tree
DL:
http://www.archive.org/details/ca342_cit
http://www.clinicalarchives.spyw.com |
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Artist: The Winter War In Tibet
Title: Eurasia Deluxe
#ca341
Date: 2009-12-11
Keywords: improvisation; psychedelic rock; kraut rock; post rock; ambient; shoegazing; minimal; experimental; drone; avant-garde
(320 kbps)
"Magical music on "Eurasia" is full of apprentice's patience, unruffled cal and Buddhist leniency towards all living beings. We hear insisde ourselves what is there and take it as it is". Simply speaking, they are playing the air and aren't being in a stew. The most important discipline of The Winter War In Tibet is the lightness and naturalness - the lightness and naturalness of running water.
Band THE WINTER WAR IN TIBET was formed in 2008 in Minsk, Belarus. This is collaboration of musicians from Minsk groups BOGOMATER’ CVETOV (FLOWERMOTHER), URLA MAKABRA, INSUMTHINMAGMA, CHILDREN OF ISHIZUKE TREE, THE SHAPE, SANGIITA SHUNAKA and SNEZHINKI. A distinctive feature of the band’s music are the sound experimentation and improvisations at the junction of ethnic, rave and rock. Band’s name comes from the similar book written by Swiss writer Friedrich Durrenmatt. THE WINTER WAR IN TIBET has made its debut at the opening of the international festival “Kamen” («Камень») in Minsk in October 2008, accompanying Damo Suzuki, the world-known vocalist of cult German kraut-rock band CAN. In 2009 the band recorded about 20 improvisatory releases.
Contact:
http://www.lastfm.ru/music/The+Winter+War+in+Tibet
DL:
http://www.archive.org/details/ca341_twwt
http://www.clinicalarchives.spyw.com |
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Artist: Fracture
Title: Fracture
#ca340
Date: 2009-12-08
Keywords: free jazz; improvisation; sound manipulation; avant-garde
(320 kbps)
Fracture are a three piece free jazz/improvisation/sound manipulation group from Melbourne, Australia who are interested primarily in the manipulation of sound. Regular concepts of progression, time and melody are set aside in favour of textural and timbrel sonic manipulation, completely in the moment. This album contains five improvised pieces of music recorded at Monash University in Melbourne, Australia, in August 2009.
Malcolm Abbott - Drums; Vincent Giles - Bass; Steve Marton - Saxophone
Contact:
http://www.myspace.com/fracturesounds
DL:
http://www.archive.org/details/ca340_f
http://www.clinicalarchives.spyw.com |
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Artist: Fracture
Title: Fracture
#ca340
Date: 2009-12-08
Keywords: free jazz; improvisation; sound manipulation; avant-garde
(320 kbps)
Fracture are a three piece free jazz/improvisation/sound manipulation group from Melbourne, Australia who are interested primarily in the manipulation of sound. Regular concepts of progression, time and melody are set aside in favour of textural and timbrel sonic manipulation, completely in the moment. This album contains five improvised pieces of music recorded at Monash University in Melbourne, Australia, in August 2009.
Malcolm Abbott - Drums; Vincent Giles - Bass; Steve Marton - Saxophone
Contact:
http://www.myspace.com/fracturesounds
DL:
http://www.archive.org/details/ca340_f
http://www.clinicalarchives.spyw.com |
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Artist: Anders Lindsjö
Title: Dry Body, Dry Bones
#ca338
Date: 2009-12-02
Keywords: improvisation; experimental; other
(320 kbps)
Anders Lindsjö made his first appearance as a free improviser on the legendary double album ”SOUNDS” together with Mats Gustafsson and Raymond Strid in 1989. A result of the first music festival presenting swedish improv music. Lindsjö would continue to work with numerous musicians in the field of free improv music up til 1996, and then retire from the scene as he had started to investigate desires in visual art. Raymond Strid, who appears on this release, early became somewhat a mentor and a source of inspiration. The music presented here, recorded 2007, is the first meeting between the two in nearly twelve years, and one of the first recording sessions after Lindsjös return.
Contact:
Anders Lindsjö:
http://www.myspace.com/anderslindsj
Raymond Strid:
http://www.efi.group.shef.ac.uk/musician/mstrid.html
DL:
http://www.archive.org/details/ca338_al
http://www.clinicalarchives.spyw.com |
|
Artist: Anders Lindsjö
Title: Dry Body, Dry Bones
#ca338
Date: 2009-12-02
Keywords: improvisation; experimental; other
(320 kbps)
Anders Lindsjö made his first appearance as a free improviser on the legendary double album ”SOUNDS” together with Mats Gustafsson and Raymond Strid in 1989. A result of the first music festival presenting swedish improv music. Lindsjö would continue to work with numerous musicians in the field of free improv music up til 1996, and then retire from the scene as he had started to investigate desires in visual art. Raymond Strid, who appears on this release, early became somewhat a mentor and a source of inspiration. The music presented here, recorded 2007, is the first meeting between the two in nearly twelve years, and one of the first recordingsessions after Lindsjös return.
Contact:
Anders Lindsjö:
http://www.myspace.com/anderslindsj
Raymond Strid:
http://www.efi.group.shef.ac.uk/musician/mstrid.html
DL:
http://www.archive.org/details/ca338_al
http://www.clinicalarchives.spyw.com |
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Artist: Post Human Era
Title: To Build A Fire
#ca337
Date: 2009-11-30
Keywords: electro-pop; post pop; indie-electro
(320 kbps)
Post Human Era is the work of multi-instrumentalist Daniel Finfer. With the help of brother Michael Finfer, the duo utilize electronic beats, ambient synths, and transcendent lyrics to construct a colorful palette of sounds and textures similar to The Postal Service, Death Cab For Cutie, The Notwist, and Nine Inch Nails.
Contact:
http://www.posthumanera.com
DL:
http://www.archive.org/details/ca337_phe
http://freemusicarchive.org/music/Post_Human_Era
http://www.clinicalarchives.spyw.com |
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